The music is buried
If a promoter has to scroll past a hero image and a paragraph to find a single track, they are gone. The one thing that books you is the sound, and on most DJ sites it is the hardest thing to reach.
DJs
Websites for DJs
A promoter or venue deciding whether to book you gives your site about ten seconds. In that window they want to hear you, see that you draw a crowd, and find your rate or your contact without hunting. Most DJ sites waste those seconds on a slow intro animation and a bio nobody reads. I build DJ sites and EPKs that put the mix, the dates, and the booking button first, so the person holding the calendar can say yes fast.
The problem
No proof you pull a crowd
Bookers are buying an outcome: a full room. A site with a nice logo but no crowd footage, no past venues, and no numbers gives them nothing to justify the risk of booking you over a name they already know.
Booking is a maze
An email address in gray text at the bottom, or a contact form that goes nowhere, kills momentum right when someone is ready to reach out. Interest cools fast in nightlife.
What I build
The mix plays first
I lead with your sound: an embedded set or a reel that starts without a fight, so the moment someone lands they are hearing why they should book you. Everything else supports that.
An EPK that closes
Crowd footage, past venues and festivals, press, and a tight bio arranged the way a talent buyer reads them. It is a pitch deck built for the phone, not a bio page.
Dates and booking front and center
Upcoming shows a promoter can see at a glance, and a booking path that is obvious from every screen. When they are ready to reach out, it takes one tap, not a search.
How it works
Same person from the first call through launch, and after.
Discovery
We talk about the gigs you are chasing: clubs, festivals, private events, or a residency. Who books you and what they need to see drives every decision on the site.
Direction
I set a look that matches your sound and the rooms you want to play. The design should read as your brand the second it loads, not a generic dark template with neon accents.
Design
I design the EPK and landing sections in detail, arranged so a booker moving fast hits the mix, the proof, and the booking button in that order.
Build
I build it by hand with audio and video embedded so they load cleanly, and put it on a live staging link so you can test it from your phone the way a promoter will.
Testing
I test playback, the dates section, and the booking flow across phones and browsers, because your site gets opened on a phone in a loud venue far more than on a laptop.
Launch
I handle domain, hosting, and the switch-over, and make sure links you share on socials and in emails land on a page that loads fast and works.
Support
New set, new dates, new press: send it and I keep the EPK current, so what a booker sees is always your latest and best, not last year's flyer.
Iterate
After launch we tighten what bookers actually use (mix links, dates, press, contact) so the EPK keeps earning gigs instead of going stale.
Frequently asked questions
What is an EPK and do I need one?
An electronic press kit is the one link you send a promoter or venue that shows your sound, your draw, your past gigs, and how to book you. If you are pitching for bookings, it is the single most useful page you can have.
Can you embed my SoundCloud, Mixcloud, or YouTube?
Yes. I embed your existing sets and reels so you keep your play counts and followers where they live, and the site pulls them in without slowing the page down.
I am on a tight budget. Can we do something smaller?
Yes. Plenty of DJs and artists start with a lean, one-page EPK that covers the essentials and add to it once bookings pick up. I will tell you the smallest version that still does the job.
How is a DJ site different from a photographer's site?
A DJ site is built around audio, video, and booking dates, and it gets opened on a phone in a loud room by someone deciding fast. A photographer's site is engineered to serve large images at full quality. Different priorities, different builds.
Can I update my tour dates myself?
If you gig often, I set up the dates so you can update them yourself without touching the rest of the site. If you would rather send them to me, that works too.
Start a project
Tell me what you're building.
Tell me what you are building, what is not working, and where you want to go next.